Composers Of Lieder And Art Songs: Names Beginning With C Names beginning with C. Caamaño, Roberto (0); caccini, francesca (1);caccini, Giulio (33); Cáceres, German (0); Cadman, Charles Wakefield http://www.recmusic.org/lieder/cindexc.html
MusiGramma: Il Catalogo Degli Spartiti E Delle Edizioni Musicali Translate this page Autore, 3104. caccini, francesca, Anche conosciuto come Su MusiGramma, dicaccini, francesca, ci sono 1 Opere, come Compositore, Editori SPES. http://www.musigramma.com/it/sc_aut.asp?autore_codice=3104
MusiGramma: Il Catalogo Degli Spartiti E Delle Edizioni Musicali Translate this page Violoncellista e compositore di nazionalità italiana. caccini, francesca. Nataa Firenze Italia il 18 Settembre 1587 Morta a Lucca Italia nel 1640. http://www.musigramma.com/it/ls_aut_start.asp?TestoIniziale=C
MusicMoz - Composition: Composers: C O P Q R S T U V W X Y Z Cabezón, Antonio de(4); caccini, francesca (5); caccini, Giulio (5); Cage, John (22); http://musicmoz.org/Composition/Composers/C/
Music Discographies caccini, francesca, 1581 ca. 1640. Chi desia di saper', che cos'e amore. LeonardaLPI 123 DOUGLASS PHONODISC DMds 4984. *La Liberazione di Ruggiero. http://libweb.uoregon.edu/music/womdiscoc.html
Extractions: WOMEN COMPOSERS' MUSIC C Index of Performers Ca Ch Ci Cl ... Co Chi desia di saper', che cos'e amore. Leonarda LPI 123 DOUGLASS PHONODISC DMds 4984 *La Liberazione di Ruggiero. Gemini Hall RAP 1010 DOUGLASS PHONODISC DMds A922 *La Liberazione di Ruggiero d'all'Isola d'Alcina. Lilac D-3 DOUGLASS COMPACT DISC CX 882 *La Liberazione di Ruggiero Nannerl NR-ARS003 DOUGLASS COMPACT DISC 2314 La Pastorella Mia Tri i Fiori. Leonarda LPI 123 DOUGLASS PHONODISC DMds 4984 See also: Historical anthology of Music by Women An Historical Sampling of Women Composers and Their Music Non tacete! = (I'll not be silent): music by women written before 1800 ; and Women's voices: five centuries of song. Gia sperai, non spero hor' piu. Leonarda LPI 123 DOUGLASS PHONODISC DMds 4984 See also: An Historical Sampling of Women Composers and Their Music Theme and Seven Variations. Coronet LPS 3105 DOUGLASS PHONODISC DMds A1259 v.1 Pargoletta, vezzosetta.
Manuscripts Of 17th-century Music Brunelli, Antonio Regole, e dichiarationi di alcuni contrapunti //. caccini,francesca Ci bi nel fior //. caccini, Giulio Non pianga e no sospiro //. http://www.lib.uchicago.edu/e/su/music/musman.html
Extractions: Webpage by Deborah Davis Note: The items on these reels are indexed by composer. Clicking on the links in the index below will take you to the entry for the reel in the microforms list following the index. If the item you are seeking is not immediately visible in your browser window, simply scroll down through the items on the reel until you come to the item you want. These microfilms are available in the Microfilm Reading Room on the third floor of Regenstein Library. Index Anonymous
Encyclopædia Britannica Search Tips. Your search francesca caccini. Log In or Subscribe Now. Expand yoursearch on francesca caccini with these databases Journals and magazines. http://search.britannica.com/search?query=Francesca Caccini
MetaEUREKA Metasearch The results 1 to 5 from 5. 1. caccini, francesca Extended biographical andhistorical article about this female baroque composer and performer. http://www.metaeureka.com/cgi-bin/odp2.pl?dir=Arts/Music/Composition/Composers/C
$TITLE Baseball, People, Players, C Cabrini College Athletics Cabriolet Cacatua cacciniFamily caccini,_francesca caccini,_Giulio caccini, francesca caccini, Giulio http://www.slider.com/index/indexca.htm
Hildegard Publishing 21.00. caccini, francesca. _49100502. Canzonettas. Starapoli. 9.00. caccini, francesca._491-00564. Io Mi Distruggo (Madrigale A Due Voci) (Sop., Bass, Continuo). http://www.presser.com/catalogs/Agencies/Hildegard.html
Extractions: Organ PIANO SOLO AGNESI-PINOTTINI, MARIA TERESA Sonata in G: Allegro AUENBRUGG, MARIANNA D (d. 1786) Sonata per Il Clavicembalo o Forte Piano ed. Glickman AUERNHAMMER, JOSEPHA Six Variations on "Der Vogelfänger bin ich ja" from Mozarts Die Zauberflöte AUFDERHEIDE, MAY Three Rags BARTHÉLEMON, CECILIA MARIA The Capture of the Cape of Good Hope (or Hpschd.) BEACH, AMY Childrens Album, Op. 36 (Nos. 1-5) ed. Sylvia Glickman Childrens Carnival, Op. 25 (Nos. 1-6) ed. Sylvia Glickman Music for Piano, Vol. 1 (Ballade Op. 6, Fireflies Op. 15, Barcarolle Op. 28, Scottish Legend, Gavotte Fantastique Op. 54, Les Rêves de Columbine Op. 65, From Grandmothers Garden Op. 97) ed. Sylvia Glickman Music for Piano, Vol. 2 (Valse Caprice Op. 4, In Autumn Op. 15, No. 1, Phantoms Op. 15, No. 2, Dreaming Op. 15, No. 3, Variations on Balkan Themes Op. 60, A Hermit Thrush at Eve Op. 92, No. 1, A Hermit Thrush at Morn Op. 92, No. 2, Improvisations Op. 148, Nos. 1-5) ed. Sylvia Glickman
Composers Bios, Leonarda #LE 3-4, Pt. I Bios of Hildegard of Bingen, francesca caccini, Barbara Strozzi, Isabella Leonarda,Elisabeth Jacquet de la Guerre, Duchess Anna Amalia, and Maria von Paradis. http://www.leonarda.com/MainPageCmp/comp353a.html
Extractions: Medieval through Classical women composers on Leonarda audiocassettes to be used with a book by Diane Jezic published by The Feminist Press. Bios of Hildegard of Bingen, Francesca Caccini, Barbara Strozzi, Isabella Leonarda, Elisabeth Jacquet de la Guerre, Duchess Anna Amalia, and Maria von Paradis. Princess Anna Amalia bio is forthcoming. Back to these CDs. Leonarda Records Composer Bios Women Composers: The Lost Tradition Found MEDIEVAL THROUGH CLASSICAL Hildegard of Bingen (1098-1170) (Germany), a unique and extraordinary woman by any century's measure, wrote books on natural science, theology and medicine and the first morality play set to music. She composed a large collection of religious music, Symphonia armonie celestium revelationum (Symphony of the harmony of celestial revelation). Noble by birth, her resources probably helped her to found her own Order in Germany, and she earned the respect of kings, emperors and churchmen. The title of her collection, "Symphonia," refers, in addition to its more general musical meaning, to the medieval style hurdy-gurdy called a symphonia, used in this performance of Ierusalem.
Leonarda Composers #338a (European) francesca caccini (1587between 1628 and 1640) francesca caccini's fatherGiulio, along with Peri, is credited with writing the first opera. http://www.leonarda.com/MainPageCmp/comp338a.html
Extractions: Five Centuries of Song Anne Boleyn's (1507-1536) father attained a high position under the young Henry VIII and spent several years as Ambassador to France. Anne lived at the French court from age 12-16. We know she was trained in music and dancing, owned a virginals, (a keyboard instrument similar in sound to a harpsichord), and played the lute. She had an excellent reputation as a composer and performer. She was the second wife of King Henry VIII and was the mother of Elizabeth I. This song is said to have been written by her when she was in the Tower of London facing execution for treason (though her only crime was probably her failure to produce a male heir). O Death, rock me asleep (attributed) (voice and harpsichord) Caterina Assandra Jubilate Deo (voice and harpsichord) Francesca Caccini Maria, dolce Maria (voice and harpsichord). Other Caccini works on Leonarda: compce.html (takes you to alphabetical list of composers with links to recordings) Barbara Strozzi (b.1619. Last published in 1664) composed some of the most extraordinary music of the 17th century and was considered the best singer and lute player in Venice. She was probably the illegitimate daughter of the poet Giulio Strozzi, who adopted her when she was nine. He saw to it that she received the best musical education and encouraged her to compose, publish and perform. The Strozzi home was the meeting place for groups of highly educated men who met to discuss the arts and sciences, which greatly influenced Barbara's development. One group in which she was particularly interested was the
Popular Music: Francesca Caccini Gallery. Popular Music Italy Photography Books Italy Videos ItalyDVDs Italy Software Music for Italy Italy Books. francesca caccini. http://www.eltunel.net/search/music/ArtistSearch/Francesca Caccini/19/
Gender_syllabus.html Listen Vocal works by Bianca Maria Meda, Isabella Leonarda; francesca caccini;francesca Campana; Settimia caccini, Barbara Strozzi, Tape A467.2, side A. http://www.music.utk.edu/keathley/gender_syllabus.html.htm
Extractions: Music, Gender, and Culture Course Syllabus, Fall 1998 Professor Elizabeth L. Keathley Required Texts Reserve readings Listening : Required listening may be found on tape under number A-467.1 - A-467.n. Scores, texts, and translations, where available, have been placed on reserve. Course Objectives Approach and philosophy. This course assumes that you have developed significant knowledge of the history of musical style, as well as skill in music analysis. The emphasis here, then, will be cultural, historiographical, critical, and interpretive, rather than positivistic. A number of the readings will be controversial. You will be expected to engage all readings (whether or not you agree with their viewpoints) with a critical eye, attending not only to the overt arguments, but to the assumptions on which the arguments rest, the language used, and the type of evidence brought to bear on the arguments. You are entitled to your own opinions; there is no penalty for having a viewpoint different from that of the author of the reading, the rest of the class, or the professor. However, you will be expected to apply to your own opinions the same scrutiny you apply to others'. You will also be expected to show respect to others in the class at all times.
Musica Viva The Encyclopedia Of Music C You need more ink! BIG savings on ink catridges! C. C; c (2); cb.ch; Cabez¤n,Antonio de; caccini, francesca; Cage, John; Cajun; Calinda; Call, Leonhardde; http://www.musicaviva.com/encyclopedia/alpha.tpl?phrase=C
Links Links Medieval Music Links =caccini, francesca Italian composer http://ourworld.cs.com/clasdis/linkbaroque.html
The Classical Music Guide - Alan Rich: MUSEUM PIECES Its composer was francesca caccini, the daughter of Giulio cacciniand an acclaimed composer and performer in her own right. Giulio http://www.classicalmusicguide.com/aalley/aa_museumpieces.htm
Extractions: by: Alan Rich It doesn't matter that the Getty Center's Harold M. Williams Auditorium is in itself a conventional space reminiscent of everybody's high school assembly hall. It acquires its magic through proximity, the presence nearby of rooms full of Renaissance stained glass or seventeenth-century drawings. Hearing music in that room, however drab, plays upon our memories of having just come from those other rooms; it engenders a higher stage of fulfillment than merely seeing or merely hearing. There ought to be laws mandating that kind of surrounding for all musical events so that, for example, we could sail up to this week's Peter Grimes Late last month Greg Maldonado's Los Angeles Baroque Orchestra, one of our two splendid early-music ensembles, performed a fine program of music, mostly unfamiliar and chosen with high imagination, from the early seventeenth century, the time of Peter Paul Rubens and his Flemish contemporaries, whose drawings filled a nearby room. It was one of those experiences when you could easily forget where one sense left off and the other took over. The drawings, vivid in line and color, have that element of lustiness that comes easily in cold climates (think of Breughel as immediate ancestor). The music, as some of the new thinking about dissonance and dramatic passion had begun to spread northward from Florence, where composers were busily inventing opera, also had some remarkable twists and turns that might have sent the previous generation of composers to an early grave. The one well-known work on the program, the
