Geometry.Net - Authors: Olson Charles

The Charles Olson Festival
A report by Loss PequeÃ±o Glazier.
http://wings.buffalo.edu/epc/authors/glazier/o-rpt.html

Extractions: [Special thanks to the Poetry Project Newsletter , where this report was first printed.] i. THIS FESTIVAL, which seemed to me under-advertised, certainly had no lack of attendance. The grand City Council Chamber of the Gloucester City Hall was packed from its main floor to its balcony curving around three quarters of the high-ceiling hall, despite nearly unbearable heat (and David McArdle pointed out that the heat was not inappropriate: Olson himself had stood in this same room to argue for the preservation of Gloucester on some equally sultry nights). The hall bore a festival banner beneath a colorful mural of historic Gloucester emblazoned with the words, "Build Not For Today But For Tomorrow As Well" (to which Creeley during his comments added, "and for yesterday") and enormous prints of Lynn Swigart's photographs from Olson's Gloucester (Louisiana State University Press). Though some of the attendees had traveled some distance to the conference-getting there however possible-what struck me most about this festival was its local presence.
UCONN Dodd Center--Charles Olson Papers Finding Aid
Browse a list of the University of Connecticut's collection of writings, letters, and personal papers by this noted author. THE charles olson PAPERS A PRELIMINARY FINDING AID
http://www.lib.uconn.edu/DoddCenter/ASC/olson.html

Extractions: Return to the Dodd Center Page Introduction Description of the Papers Selected Bibliography Collection Register This finding aid represents a preliminary description of the papers of the American poet and theorist Charles Olson (1910-1970) as sorted and arranged by Dr. George Butterick between 1972 and 1986. Additional sorting and arrangement have been done since then, but the labelling and arrangement of files are essentially as they were left by him. Neither the categories nor the contents can be considered a final arrangement of the papers. Additional portions of the papers, not yet sorted, are not included in this finding aid, and are closed until further processing. Materials designated in this register as damaged and fragile may be used only in conjunction with the Curator. Olson's personal library, also held by the Special Collections Department, is not here described as part of the Papers but should be regarded by researchers as an important primary source. A card file is available that lists monographs and journal issues, together with an indication of the presence of Olson's annotations. Researchers should note that Butterick's "Olson's Reading: A Preliminary Checklist" (
Preface To Charles Olson
Robert Creeley reviews Tom Clark's Preface to charles olson The Allegory of a Poet's Life in Jacket 12.
http://www.jacket.zip.com.au/jacket12/olson-preface-by-creeley.html

Extractions: To tell the story of a person's life is an art requiring both facts and determining intuition, a canniness as to how things fit or don't fit, and a wonder about it all that wants to realize an actual presence in a place and time, which are just as fragile, finally, as the images and words that may recall them. Olson's and my time was one still resonant with 19th century hopes, that we might have "better living through chemistry," for example, or that "self-improvement" was something quite possible, given hard work and a viable dream. I can still hear, no matter I would be rid of it, "Lives of great men all remind us/ we can make our lives sublime/ and departing leave behind us/ footprints in the sands of time..." Though it may be inaccurately quoted, I will not look it up. Like so much in that initiating edge of the American place, Olson was self-invented, made his world both with and of his mind insistently. One recalls W.C. Williams writing, "A new world/ is only a new mind./ And the mind and the poem/ are all apiece." Olson valued immensely what he spoke of as "mindedness." I would take his sense of one's "second birth," that coming into the world as fact of oneself, to be the possibility inherent, "that we are only/ as we find out we are." Just so the emphasis upon "the use," that which one makes of oneself and by oneself, the complement to the social body, the "polis," he equally kept primary.
Charles Olson On Seeing Ezra Pound, After 20 Years
olson recounts talking to Pound twenty years after their relationship in St Elizabeth's, where Pound was interned.
http://info.chymes.org/olson/on_pound_1965.html

Extractions: pg 64. Charles Olson. It's very strange because I suddenly was presented to Ezra Pound two weeks ago, after twenty years. And that was likeI don't knowit was not like your father or somethingit was like having an Umbrian angel suddenly descend upon you and ask you to be and be more than, well, just what you'd like to be. It was very beautiful the way the fierceness of Pound has settled down into a voiceless thing which only responded twice to me. Once I told a story of Ed Sanders, who has a beautiful picture that Pound at eighty would have a revival of life and have fifteen further years of power. The difficulty of talking to Pound is he doesn't talk anymore. He sits in an almost catatonic fix in silence. And the one word he said after I said that Sanders had that sense of him, he said, "Sanders has a sense of humor." [Laughter.] July 9, 2002 tue 10:15am
Charles Olson And "Projective Verse"
olson's definitions of Projective Verse, and Composition by Field.
http://unix.cc.wmich.edu/~cooneys/poems/proj.verse.html

Extractions: [I've been reading a biography of Charles Olson, certainly the largest figure in American poetics since Pound and Williams, mentor to Creeley and others of the Black Mountain group, author of the Maximus poems, etc. (He's said to have been the first to use the word "postmodern", incidentally.) Olson wrote a manifesto called Projective Verse, (1) A poem is energy transferred from where the poet got it (he will have some several causations), by way of the poem itself to, all the way over to, the reader. . . . the poem itself must, at all points, be a high energy-construct and, at all points, an energy-discharge. So: how is the poet to accomplish same energy, how is he, what is the process by which a poet get in, at all points energy at least the equivalent of the energy which propelled him in the first place, yet an energy which is peculiar to verse alone and which will be, obviously, also different from the energy which the reader, because he is a third term, will take away? This is the problem which any poet who departs from closed form is specially confronted by. And it involves a whole series of new recognitions. From the moment he ventures into FIELD COMPOSITIONputs himself in the openhe can go by no track other than the one the poem under hand declares, for itself. Thus he has to behave, and be, instant by instant, aware. . . .
Collected Prose
Read an overview of this American poet's significance to postmodern verse, or purchase a volume of his collected prose. charles olson. Collected Prose. Edited by Donald Allen and Benjamin Friedlander.
http://www.ucpress.edu/books/pages/6739.html

Extractions: Free online edition (eScholarship) available only to University of California faculty, staff, and students (List of public titles) Collected Prose will introduce a new generation of readers to a central modernist and post-modernist thinker in American letters. For the energy of the avant-garde literary project at mid-century, Olson is it. No one else has the excitement or range."Robert Hass "At last we have between two covers some of the most compelling theorizing in postmodern poetics and American Studies ever produced, from one of the defining figures in postwar American poetry. This is that rarest of books, a must-read for poets and scholars alike."Alan Golding DESCRIPTION (back to top) The prose writings of Charles Olson (1910-1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse.
Olson, Charles - Maximus To Gloucester Review
Karl Young reviews this collection of poems and correspondence sent by the noted author to his hometown paper. Maximus to Gloucester; The Letter and Poems of charles olson to the Gloucester Times, 1962 1969
http://www.thing.net/~grist/l&d/le-ky-co.htm

Extractions: Review by Karl Young Maximus to Gloucester , a collection of letters by Charles Olson to The Gloucester Times , breaks all the standard parameters. In fact, if you set out to produce a book counter to the standard, you probably couldn't go farther than this, even if you invented the author, the publisher, the circumstances of publication. One of the unusual circumstances behind this collection is that the editor of the Times, Paul Kenyon, was sensitive and sympathetic to what Olson was doing. The letters were usually printed in generous format with photos and sidebars. Kenyon did not tamper with Olson's style, sometimes reproducing Olson's typewriter script. This may make the Times uniquely perceptive among American newspapers. How many editors in North America are willing to run letters in any kind of verse, particularly what would be for them a highly eccentric type of poetry (consider, for instance, Olson's habit of leaving sentences unfinished), and to publish them in such generous format? Anastas had an extended local readership in mind when publishing the book. The book's second purpose is to reintroduce Olson to Gloucester, this time as poet. Although Olson knew many people in Gloucester and had more friends there than most people do anywhere, his poetry was generally not read by Gloucesterites, except for the pieces in the
Charles Olson - The Academy Of American Poets
charles olson The Academy of American Poets presents biographies, photographs, selectedpoems, and links as part of its online poetry exhibits. charles olson.
http://www.poets.org/poets/poets.cfm?prmID=757
Michael McClure Home Page
McClure appears under various names in Kerouac novels from The Dharma Bums onward. Wrote one of Janis Joplin's most popular songs. This site contains large selection of McClure's poetry, essays by him, and commentary not only by such poets as Anne Waldman, charles olson, and Robert Creeley, but also Francis Crick, Nobel Laureate who codiscovered the structure of DNA. Will include audio files.
http://www.thing.net/~grist/l&d/mcclure/mcclure.htm
Olson, Charles
encyclopediaEncyclopedia olson, charles. olson, charles, 191070, Americancritic and poet, b. Worcester, Mass., grad. Harvard (BA, 1932; MA, 1933).
http://www.infoplease.com/cgi-bin/id/A0836599.html

Extractions: Olson, Charles Olson, Charles, , American critic and poet, b. Worcester, Mass., grad. Harvard (B.A., 1932; M.A., 1933). His literary reputation was established with Call Me Ishmael (1947), a study of the influence of Shakespeare and other writers on Melville's Moby Dick. The Maximus Poems (1960 and 1968), Casual Mythology (1969), and Poetry and Truth
Olson, Charles
olson, charles 191070, American critic and poet, b. Worcester, Mass.,grad. Harvard (BA, 1932; MA, 1933). His olson, charles. 1910
http://www.slider.com/enc/39000/Olson_Charles.htm

Extractions: Olson, Charles 1910-70, American critic and poet, b. Worcester, Mass., grad. Harvard (B.A., 1932; M.A., 1933). His literary reputation was established with Call Me Ishmael (1947), a study of the influence of Shakespeare and other writers on Melville's Moby Dick. The Maximus Poems (1960 and 1968), Casual Mythology (1969), and Poetry and Truth
Olson, Charles. The Columbia Encyclopedia, Sixth Edition. 2001
The Columbia Encyclopedia, Sixth Edition. 2001. olson, charles. 191070, Americancritic and poet, b. Worcester, Mass., grad. Harvard (BA, 1932; MA, 1933).
http://www.bartleby.com/65/ol/Olson-Ch.html

Extractions: Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Columbia Encyclopedia PREVIOUS NEXT ... BIBLIOGRAPHIC RECORD The Columbia Encyclopedia, Sixth Edition. Olson, Charles
42962. Olson, Charles. The Columbia World Of Quotations. 1996
ATTRIBUTION charles olson (19101970), US poet. Variations Done for GeraldVan de Wiele (l. 3136). . . Norton Anthology of Modern Poetry, The.
http://www.bartleby.com/66/62/42962.html

Extractions: Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Quotations The Columbia World of Quotations PREVIOUS ... AUTHOR INDEX The Columbia World of Quotations. NUMBER: QUOTATION: My life
Mr. Music (1950): Bing Crosby, Nancy Olson, Charles Coburn, Richard Haydn
MR. MUSIC OVERVIEW, CAST CREW Bing Crosby, Nancy olson, charles CoburnDirected by Richard Haydn more SYNOPSIS A tunesmith warbles
http://www.rottentomatoes.com/m/MrMusic-1040341/reviews.php

Extractions: Go to Video ... TOP RENTALS * I Spy * Swimfan NEW RELEASES * Maid in Manhattan * Femme Fatale * Jackass: The M... * Friday After Next UPCOMING CURRENT RELEASES * Abandon * The Banger Sis... * Behind Enemy L... * Bliss * Blue in the Face * Boys * The Cherry Orc... * City by the Sea * Crazy As Hell * Don't Say a Word * Empire * Fear and Loath... * First Kid * Formula 51 * The Four Feathers * Free Willy * Free Willy 2: ... * Full Frontal * Gone Fishin' * Half Past Dead * Heavy Metal * I Spy * Just a Kiss * Kiss of the Dr... * Knockaround Guys * Lake Placid * Larger Than Life * Man from Elysi... * Master of Disg... * Mystic Masseur * Never Again * Planet of the ... * Pokemon 4Ever * Predator 2 * The Princess D... * Rambo - First ... * Rambo III * Rules of Attra... * Serving Sara * Sordid Lives * Stargate * Stealing Harvard * Sweet Home Ala... * Swept Away * Swimfan * The Tuxedo * A Walk in the ... * Wasabi * The Weight of ... - Welcome Back, ... * Welcome to Col...
Olson, Charles E.
BY THE LAWRENCE COUNTY SHERIFF'S OFFICE DEADWOOD, SOUTH DAKOTA 605578-2230.olson, charles EDWARD. Sex Male, Eyes Brown. Race Amer Ind/Alask, HairBrown.
http://www.lawrence.sd.us/wanted/olson_charles_e.htm

Extractions: OLSON, CHARLES EDWARD Sex: Male Eyes: Brown Race: Amer Ind/Alask Hair:Brown DOB: 12-16-61 Scars/Tattoos: Tat L Arm Height: 6’00" SSN: 516-90-6670 Weight: 200 POB: MT-Poplar Occupation: Ft. Peck Head Start FBI #: 848551WA2 SID #: SD226577A2 OLSON is wanted for PROBATION REVOCATION, ORG CHARGE: FELONY DWI. Anyone having information concerning OLSON should contact the Lawrence County Sheriff's Office or the nearest law enforcement agency. Last Known Address: Poplar, MT.
Olson, Charles
encyclopediaEncyclopedia olson, charles. olson, charles, 191070, Americancritic and poet, b. Worcester, Mass., grad. Harvard (BA, 1932; MA, 1933).
http://www.factmonster.com/ce6/people/A0836599.html

Extractions: Olson, Charles Olson, Charles, , American critic and poet, b. Worcester, Mass., grad. Harvard (B.A., 1932; M.A., 1933). His literary reputation was established with Call Me Ishmael (1947), a study of the influence of Shakespeare and other writers on Melville's Moby Dick. The Maximus Poems (1960 and 1968), Casual Mythology (1969), and Poetry and Truth
Charles Olson @ Catharton Authors
charles olson. ? Bored? Websites charles olson buffalo.edu. charles olson andFrances Boldereff A Modern Correspondence. Robert Creeley on charles olson.
http://www.catharton.com/authors/2283.htm

Extractions: all of Catharton just Authors Catharton Authors O : Olson, Charles Charles Olson Bored? Meet people at Café Catharton Websites: Charles Olson [buffalo.edu] Charles Olson and Frances Boldereff: A Modern Correspondence Robert Creeley on Charles Olson Message Boards: Suggest or Request a board Mailing Lists: Suggest or Request a list Chat Rooms: Suggest or Request a room Can't find what you want here? Try searching Google for Charles Olson List of Works:
Charles Olson
blacktitle.jpg (12329 bytes). charles olson (19101970) olson's Lifeand Career On Variations Done for Gerald Van De Wiele On
http://www.english.uiuc.edu/maps/poets/m_r/olson/olson.htm
Charles Olson's Life And Career
olson, charles (191070), was born and raised in Worcester, Massachusetts, andeducated at Wesleyan University and Harvard, where he studied American
http://www.english.uiuc.edu/maps/poets/m_r/olson/life.htm

Extractions: Charles Olson's Life and Career Nicholas Everett O lson, Charles (1910-70), was born and raised in Worcester, Massachusetts, and educated at Wesleyan University and Harvard, where he studied American civilization. During the Second World War he worked for the Democratic Party and for the Office of War information as assistant chief of the Foreign Language Division. His first two books, Call Me Ishmael (1947), a study of Mellville's Moby-Dick , and The Mayan Letters (1953), written to Robert Creeley from Mexico where he was studying Mayan hieroglyphics, cover a range of subjectsmythology, anthropology, language, and cultural historyand use the fervent informal style that were to distinguish all his discursive prose. Olson's influential manifesto, Projective Verse, was published in pamphlet form in 1950 and then quoted generously in William Carlos Willams's Autobiography (1951). In the "projective," or "open," verse it recommends, which aims to transfer energy from the world to the reader without artificial interference, syntax is shaped by sound, not sense; sense is conveyed by direct movement from one perception to another, not rational argument; and the reader's rendition directed by freely varied spacing between words and lines on the page. Olson himself had started writing poetry in the late 1940s, and "The Kingfishers," the longest poem in his first collection, In Cold Hell, in Thicket
Academic Directories
Back to Educational Resources. olson, charles,
http://www.allianceforlifelonglearning.org/er/tree.jsp?c=5865

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