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Hofmann Hans:     more books (19)

Recent Gifts and Loans of Paintings by Hans Hofmann Hans Hofmann Drawings by Toronto. Marianne Friedland Gallery.Introduction by Marianne Friedland, 1982 Hans Hofmann; Provincetown Paintings and Drawings by Elaine DeKooning, 1985 Hans Hofmann by Hans] Wight, Frederick S. [Hofmann, 1957 Hans Hofmann: The Pre-War Years in America: January 9 - February 7 1987, Andre Emmerich Gallery, New York

lists with details

21. Hans Hofmann
    HANS HOFMANN. 1880 Germany1966 USA. 1. Irma B. Jaffe, A Conversationwith Hans Hofmann, Artforum 9, no. 5 (January 1971) 35.  
    http://nmaa-ryder.si.edu/collections/exhibits/abstraction/hofmann.html
    
    Extractions: IN 1966, A MONTH BEFORE HIS DEATH, HANS HOFMANN DESCRIBED HIS PROCESS OF painting in these words: When I paint, I paint under the dictate of feeling or sensing, and the outcome all the time is supposed to say something. And that is most often my sense of nature. . . it might suggest landscape and might only suggest certain moods, and so on but this must be expressed in pictorial means, according to the inner laws of these means. Only this is acceptable as art.[1] Hofmann went home for a visit in 1914. When World War I prevented his return to Paris, he opened his school for modern art in a Munich suburb. During the war years, Hofmann became closely acquainted with Kandinsky's work.[4] Following the war, young Americans began to flock to Hofmann's school. Carl Holty , Worth Ryder, Glenn Wessels, Vaclav Vytlacil , and others studied in Munich or attended his summer classes in Bavaria, France, and Italy.[5] In the summer of 1930, at the invitation of Worth Ryder, Hofmann taught at the University of California, Berkeley. He spent the next winter in Germany, and the following spring returned to teach in Los Angeles (at the Chouinard School of Art) and at Berkeley, where he wrote the first version of Creation in Form and Color: A Textbook for Instruction in Art . In 1932 he moved to New York. He taught for a year at the Art Students League, where his students included Burgoyne Diller, Harry Holtzman, and

22. Art-platform Gallery
    hofmann hans 1960 the gate 1960 the gate 700 Wx 1088 Hx 24 bpp, 42643Bytes 42800 AM 8/6/2001. Statistic Total pages 1 ( current  
    http://www.art-platform.com/pics/Hofmann Hans/Page0001.htm

23. Hans Hofmann
    HANS HOFMANN. by Orville O. Clarke, Jr. (Manny Silverman Gallery, WestHollywood) Most people are familiar with Hans Hofmann as one  
    http://artscenecal.com/ArticlesFile/Archive/Articles1999/Articles0999/HHofmannA.
    
    Extractions: Manny Silverman Gallery , West Hollywood) Most people are familiar with Hans Hofmann as one of the most influential teachers of the 20th century in America, and with his connection to Louise Nevelson, Lee Krasner, and Jackson Pollock, among others. Yet, that is where most knowledge ends. Fewer are aware of his theories of art and the dynamic and powerful nature of his paintings, or even that there was a Los Angeles connection: He was an instructor at the Chouinard School of Art. Hofmann remains a central figure in the development of a modernist aesthetic in the avant-garde in America. He provided a key link to European modernism through his experience with color and Fauvism and most particularly with Paul Cezanne and Cubism. He was able to set the standard that many young and impressionable artists were to follow. For Hofmann, the canvas was not a battleground for politics or religion, but a sacred spot where the dynamics of color and movement were to be explored. He denied the preeminence of one point perspective, declaring it dead and insisting on the honesty of the two-dimensionality of the picture plane. No longer would the illusionism of the Renaissance be the goal of a painter, but to find the balance of movement within the picture plane, or "push and pull," as Hofmann called it. He believed that the successful artist should balance the reciprocity of movements in opposite directions. Thus movement inside the pictorial space must be balanced by a movement towards the viewer. This was the goal that one must strive for.

24. Hans Hofmann
    Hans Hofmann American, born Germany, 18801966 Undulating Expanse Oil on canvas,1955 Ackland Fund, 88.27 Hans Hofmann was born in Germany in 1880.  
    http://www.ackland.org/tours/classes/hofmann.html
    
    Extractions: In 1930, Hofmann was asked to teach at the University of California, Berkeley, and became so attracted to the United States that he settled here permanently, becoming a citizen in 1941. After moving to New York, where he died in 1966, Hofmann spent his summers in Provincetown, Mass. and ran a famous school for artists there. Hofmann's work is related to that of Abstract Expressionism in its freedom and exhuberent openness. The colors in his paintings are inevitably powerful, projecting joyous, sensuous enthusiasm. Although much of his later accomplishment was characterized by compositions built of square elements, Hofmann's work until about 1955 was unpredictable and apparently impulsive. It was, however, always underlayed with a carefully worked out structure. Undulating Expanse of 1955 is unusual in Hofmann's work because it is composed in a long horizontal format. The reason is that the painting is related to a commission for a mural that was never executed. Two small studies for this project, similar in composition but more exaggerated in format, also exist.

25. Ladot - 404 Not Found: Pagina Niet Gevonden
    Hans Hofmann geboren 1880 Weisenburg Beieren Duitsland gestorven 1966 Amerikaanseschilder van Duitse afkomst. hans hofmann groeit op in Munchen.  
    http://www.kunstbus.nl/verklaringen/hans hofmann.html

26. Bürgerneuaunahme Zwischen 1700 Und 1750
    Translate this page Hans Koetzting 1708 Bräuoberknecht Hesxxxxxx Hans Georg Koetzting 1741 Schneider47 hofmann hans Georg Kundtsdorf/Neuburg 1741 Schneidermeister 47 Hofmann  
    http://home.t-online.de/home/Clemens.Pongratz/bu1700.htm

27. Hans Hofmann Affiches D'art
    Translate this page hofmann hans. hofmann hans - Joy Sparks of Gods. Artiste, hofmann hans. Titre, JoySparks of Gods. Prix (EUR), 74.00. hofmann hans - Rising Sun. Artiste, hofmann hans.  
    http://www.postershop-france.com/Hofmann-Hans-p.html
    
    Extractions: Artiste Hofmann Hans Titre Joy Sparks of Gods Format (cm) 90 x 70 Livrable sous 5-8 jours Code Article# Prix (EUR) Artiste Hofmann Hans Titre Rising Sun Format (cm) 90 x 70 Livrable sous 5-8 jours Code Article# Prix (EUR) Artiste Hofmann Hans Titre Smaragd Red germinating yellow Format (cm) 100 x 70 Livrable sous 2-5 jours Code Article# Prix (EUR) Page 1 de 1 22 000 reproductions d'art. Livraison Paiement par carte bancaire. Service cadeaux gratuit. Droit de retour de 14 jours. Protection

28. HANS HOFMANN
    HANS HOFMANN (7 Items Found). Page 1 of 1, Hans Hofmann, 18801966 A specialexhibition of major paintings to mark the centennial of the artist's birth.  
    http://www.oldprintshop.com/cgi-bin/gallery.pl?action=browse&creator_id=865

29. Chronology, Hans Hofmann
    HANS HOFMANN Chronology. 1880 Johann Georg teach. 1915 Opens the HansHofmann School of Fine Arts at 40 Georgenstrasse, Munich. 1921–32  
    http://www.realart.com/hfg/html/archive-html/mod-05-02-html/Hofmann-chorology.ht

30. Berta Walker Gallery : Artists : Hans Hofmann
    Hans Hofmann, By 1930, when Hans Hofmann arrived in America, he was already50 years old and internationally famous as an exceptional teacher.  
    http://www.bertawalker.com/artists/h_hofmann.html
    
    Extractions: Click to tour Hofmann's work Much of the work in this inaugural exhibition was created in Provincetown, where Hans Hofmann spent his summers as teacher and painter from 1935 until his death in 1966. Whether painting still lifes in his converted barn studio or painting en plein air in the surrounding dunes, Hofmann’s ecstatic gaze spontaneously encompassed everything around him. The exhibition includes pen and ink and crayon drawings on paper, small works which reveal the magnitude of his vision, his ability, as Frank Stella has written, "to fuse the action of painting and drawing into a single, immediate gesture, [which] carries colored pigment into the viewer’s presence with the force of a bomb." Hofmann said, "I want always to live in color!" These small drawings are a monumental testament to the brilliance, vigor and sheer beauty of the work of this extraordinary man who was the primary force in the development of Abstract Expressionism and whose influence continues as a vital presence in the studios, galleries, and museums of Provincetown and beyond. The untitled drawings in this exhibition were created between 1932 and 1943, during the darkest days of the century and Hofmann's first decade in America. Yet they express all the exuberance remarkable in Hofmann's work. André Emmerich wrote that this joyful work is "a brilliant synthesis of the colors of Fauvism and the structure of Cubism which so profoundly marked all his mature work."

31. Estate Of Hans Hofmann
    Information on exhibitions, catalogue raisonne and a detailed biography.Category Arts Art History Artists H hans hofmann 18801966. The Estate of hans hofmann is a nonprofit foundationestablished for the promotion and exhibition of his work.  
    http://www.hanshofmann.org/

32. Schirn Kunsthalle: 13.9. - 2.11. 1997 Hans Hofmann
    hans hofmannAusstellung in der Schirn Kunsthalle vom 13.9. bis 2.11.1997. Biographie.  
    http://germangalleries.com/Schirn/Hofmann.html

33. Hans Hofmann Bibliography
    6064; excerpts from the teaching of hans hofmann adapted from his essays On theAims of Art and Plastic Creation, pp. 65-76, pp. 76-78. hans hofmann.  
    http://www.hanshofmann.org/biblio.html
    
    Extractions: Selected Bibliography Texts by Hofmann (arranged chronologically) 1. "Art in America." Art Digest 4, no. 19 (August 1930), p. 27. 2. "Painting and Culture." Fortnightly (Campbell, California) v. 1, no. 1 (September 11, 1931), pp. 5-7. 3. "On the Aims of Art." translated by Ernst Stolz and Glenn Wessels. Fortnightly (Campbell, California) v. 1, no. 13 (February 26, 1932), pp. 7-11. 4. "Plastic Creation." The League (published by the Art Students League, New York) (Winter 1932-33), pp. 11-51, 21. Translated from the German. Reprinted in The League 22, no. 3 (Winter 1950), pp. 3-6. The Search for the Real and Other Essays , Hayes, Bartlett H., Jr., and Weeks, Sara T., eds. Exhibition catalogue. Andover, Mass: Addison Gallery of American Art, 1948. Reprinted by Cambridge: MIT Press, 1983. Includes "The Search for the Real in the Visual Arts," pp. 46-54; "Sculpture," pp. 55-59; "Painting and Culture," pp. 60-64; excerpts from the teaching of Hans Hofmann adapted from his essays "On the Aims of Art" and "Plastic Creation," pp. 65-76, pp. 76-78. Form und Farbe in der Gestaltung . Composed in German from 1904-1948. Translated by Glenn Wessels in 1931 as "Creation in Form and Color: a Textbook for Instruction in Art.". Rewritten as Das Malerbuch: Form und Farbe in der Gestaltung . Translated by Georgina M. Huck, Ph.D., 1938-48.

34. Estate Of Hans Hofmann
    Information on exhibitions, catalogue raisonne and a detailed biography.  
    http://www.hanshofmann.org/index.html

35. Hofmann Laboratory
    Research into the effects of social experience on behavior and underlying physiological mechanisms Category Science Biology Institutions Laboratories Researchershofmann Laboratory, Harvard University Bauer Center for Genomics Research.  
    http://cgr.harvard.edu/hans/

36. Hofmann Laboratory
    Research into the effects of social experience on behavior and underlying physiological mechanisms at Harvard University Bauer Center for Genomics Research, Cambridge, MA.  
    http://www.cgr.harvard.edu/hans/

37. Selected Publications
    hofmann HA (2003) Functional Genomics of Neural and Behavioral Plasticity. DownloadPDF. hofmann HA, Stevenson PA (2000) Flight restores fight in crickets.  
    http://cgr.harvard.edu/hans/html/selected_publications.html
    
    Extractions: Home Research Lab Members Lab Pets ... Links Hofmann HA (2003) Functional Genomics of Neural and Behavioral Plasticity. Invited Review, Journal of Neurobiology, 54: 272:282 Download PDF Hofmann HA, Schildberger K (2001) Assessment of strength and willingness to fight during aggressive encounters in crickets. Animal Behaviour, 62:337-348. Download PDF Hofmann HA, Fernald RD (2001) What cichlids tell us about the social regulation of brain and behavior. Journal of Aquariculture and Aquatic Sciences, 9:17-31. Download PDF Hofmann HA, Fernald RD (2000) Social status controls somatostatin-neuron size and growth. Journal of Neuroscience, 20:1248-1252. Download PDF Stevenson PA, Hofmann HA, Schoch K, Schildberger K (2000) The fight and flight responses of crickets depleted of biogenic amines. Journal of Neurobiology 43:107-120.

38. Corinne Hofmann: Die Weiße Massai
    Rezension von von hansRainer John in Berliner LeseZeichen, Ausgabe 11+12/99.  
    http://www.berliner-lesezeichen.de/lesezei/Blz99_11/text17.htm

39. The Museum Shop
    Marion Mahony Harring, Keith Hasui, Kawase Heade, Martin Johnson Herbin, AugusteHey, Jean Hiroshige, Ando Hiroshige, Utagawa hofmann, hans Hokusai, Katsushika  
    http://www.artinstituteshop.org/browse.asp?artistID=20

40. The Museum Shop
    Griffin, Marion Mahony Hasui, Kawase Heade, Martin Johnson Herbin, Auguste Hey, JeanHiroshige, Ando Hiroshige, Utagawa hofmann, hans Hokusai, Katsushika Hopper  
    http://www.artinstituteshop.org/browse.asp?artistID=47

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